Radhika Sanghvi

Radhika Sanghvi

Radhika Sanghvi’s sculptures exhibit a profound connection with nature. From a distance, they resemble luminous flying insects or branches adorned with gleaming, wildpetals. Each creation is a symphony of form, and illumination—embodying fluidity. Wood, reed, and paper converge to breathe life into empty spaces. These sculptures grace both private sanctuaries and commercial spaces, instilling an ambiance of tranquility and awe. Displayed in art exhibitions and cherished by collectors and enthusiasts alike, Sanghvi’s work captivates everyone with its blend of organic beauty and artistic expression. In this interview, Sanghvi delves into her inspirations, creative process, and how the inherent flow of materials serves as a cornerstone of her sculptural artistry.

INITIAL INTEREST IN SCULPTURAL DESIGN
Growing up with a father who is an artist and art collector and a crafty mother, art to me comes very naturally. I have never seen an empty wall in my house and it’s always filled with ever changing artwork. Having the privilege to meet so many artists over a period of time, my love for art turned into passion. Being fascinated with the concept of ‘Creating’, led me to pursue studies in Sculptural Design. All my life I have heard how unpredictable and unusual my thoughts are, learning art has helped me find a direction and enhanced my wild thought process.

POWER OF MATERIALS
I am drawn to the transformative power of these materials naturally sourced branches, reed and paper. They offer a canvas for me to infuse life into my sculptures. Thebranches, work as a pillar for my sculptures. The designs created by twisting and bending reed sticks revolve, and depends around the shape of the branch. And paper essentially becomes the layer, which seals the installation. The technique with which the paper is applied is a meticulous and the consuming process, as it requires a lot repetition of paper, to achieve the desired finish.

Now, when it comes to Illumination, it plays a magical role in my works. The enchantment begins at dusk, when it blows life into my sculptures, enhancing patterns and imaginary movements that changes from every angle. The interplay between light and forms is a vital part of the sculpture, inviting viewers to explore and discover the imaginary.

Radhika Sanghvi

This is an exclusive excerpt from our February EZ. To read the entire article and more such pieces, follow the link here.

Words Paridhi Badgotri
Photography Umang Shah
Date 06.05.2024