Sea God By Madhvi Parekh
DAG presents A Place in The Sun: Women Artists from 20th Century India, an exhibition exploring the remarkable contribution of women artists in the context of Indian modernism, representing a selection of trailblazers, each of whom crafted a unique identity and practice. This exhibition surveys their artistic journeys while fighting prejudice and patriarchy at a time when women were discouraged from pursuing art, and uncovers the wide breadth of their interests including early abstract painting, the arduous regimen of making sculptures, and printmaking. Curated by Kishore Singh, Senior VP-Exhibitions and Publications, DAG, A Place in The Sun opens on March 4, 2022 at DAG New York to coincide with the Women History Month.
The exhibition history covers the span of the twentieth century – from India’s first art school-trained woman artist, Ambika Dhurandhar, who earned her diploma in Bombay, through later women artists joining art schools in greater numbers, a time when their visual language stopped being contextualized to their gender only – until the end of the twentieth century when they were equal partners in fashioning a modern and contemporary discourse for Indian art. As some sought to explicitly highlight feminist concerns in their work, addressing questions of gender, class, marginalization, and environments; others responded to folk, abstract, tantra or other aspects of art making. The exhibition’s curation begins with the incredible Devyani Krishna, born five years after Sunayani Devi began painting in 1905 at the age of thirty, and Zarina Hashmi, born a decade before independence in 1947. It features 10 artists including Madhvi Parekh, Shobha Broota, Anupam Sud, Gogi Saroj Pal, Latika Katt, Mrinalini Mukherjee, Navjot and Rekha Rodwittiya.
The Ornate Chair Still Beckons by Rekha Rodwittiya
Announcing the exhibition, Ashish Anand, CEO and Managing Director, DAG, explains: ‘I have noticed that viewers and critics at our New York gallery always make it a point to ask about the representation of women artists in our exhibitions. I am, therefore, delighted to share a complete exhibition on women artists with them. Their contribution to Indian modern art has been seminal and their recognition needs to be acknowledged.’
Added Kishore Singh, ‘The exhibition looks at a handful of trailblazers who, each in her own way, has crafted a unique identity and practice, thereby contributing to the rich dialogue around the diversity in style, medium, material and context of India’s twentieth century art. Each of these women artists has come up the difficult way to find a well- deserved place in the sun.’
A Place in The Sun exhibition has a selection of exceptional works including Untitled compositions by Zarina Hashmi and Gogi Saroj Pal, Sea God by Madhvi Parekh, Persona by Anupam Sud, an Untitled work by Gogi Saroj Pal, Surveyor and the Surveyed by Navjot, and Florescence by Mrinalini Mukherjee. Mukherjee has been recently chosen as one of the 213 artists to be shown at the 2022 edition of the Venice Biennale, the world’s largest and most prestigious art exhibition that has a representation from 58 countries. DAG has timed the exhibition to be part of Asia Week New York to be held during March 16-25, 2022.
Date 08-03-2022